Tag Archives: film review

Artsy-Fartsy: ‘Better Mus Come’ Gala & Screening Review

Photo Credit – BizBash

Have you ever been so inspired by something that you almost didn’t know what to do with yourself? Like, you got filled with this bubbling energy that you just had to pour somewhere, but you didn’t have the right vessel? This past Saturday, I made sure to clear my afternoon schedule for something special, and ended up with that exact feeling when I left.

Saturday was the premiere of Better Mus Come - a film written and directed by Storm Saulter, an up and coming Jamaican filmmaker. TIFF (Toronto International Film Festival) Bell Lightbox, in conjunction with Caribbean Tales put the event together, which included a Caribbean brunch, awards ceremony, and film screening.

I arrived at the amazing TIFF Bell Lightbox venue in time for the awards ceremony, which I’m SO glad I didn’t miss. Honoured were Ian Harnarine – Trinidadian-Canadian filmmaker, and Denham Jolly – media entrepreneur and philanthropist responsible for the creation of FLOW 93.5 – Toronto’s 1st urban radio station. Mr. Harnarine’s story truly impressed me. Born in Canada to Trini parents, he obtained a degree in Physics and Astronomy from U of T, then travelled to Chicago to complete his Masters in Nuclear Physics. Yes, I said a Masters in Nuclear Physics. Then, he seemingly got bored and decided to pick up filmmaking – he enrolled at NYU’s Graduate Film School, and now sits on the faculty for both NYU’s Physics department and the Graduate Film School. Mr. Harnarine was being honoured for his multi-award-winning short film, Doubles With Slight Pepper, which won Best Canadian Short Film at TIFF 2011. I was floored not only by his obvious intellect, but also by his determination to follow through with his passion for filmmaking. It reminded me of my thoughts on ’83 To Infinity: “…the fact that you’re NEVER too old to learn something new, do something new, or be someone new.”

Denham Jolly (L) and Ian Harnarine (R)

Photo Credit – Livewithculture.ca/Roys Creative Photography

Denham Jolly’s story also educated me on some Canadian history that I was not previously aware of. Born in Negril, Jamaica, Mr. Jolly moved to Canada and began building his legacy. Property owner, teacher, publisher, entrepreneur, and founder of the Black Business and Professional Association – Mr. Jolly had his hands in many different areas of Toronto. His battle for the creation of an urban radio station in Toronto lasted over a decade and was consistently wrought with obstacle, but her persevered. He finally succeeded in his quest when FLOW 93.5 was born in 2000, and Mr. Jolly became known as the first Black Canadian to receive a radio license. Mr. Jolly accepted his award on Saturday from the Hon. Jean Augustine, and solidified his lifetime achievement with a poignant quote: “It’s amazing how lucky you get when you work hard.” Ain’t that the truth?

Finally, we settled into our seats to watch Better Mus Come. Both the writer/director Storm Saulter, and the lead actor Sheldon Shepherd were in the house – after a short intro by Storm, the movie began and I was instantly transported back to a time that I wasn’t even alive for – Kingston, Jamaica, 1978.

Credit: Photo by Sarita Louis, Ryan Singh Enterprises Better Mus Come Gala Brunch and Screening, Hosted by Caribbean Tales Youth Film Festival. Storm Saulter, Writer, Director

If you’re unaware of the history of this time, the long and short of it is that Jamaica was in political turmoil. The JLP (Jamaica Labour Party) and the PNP (People’s National Party) were both clamouring for power of the country, and as Malcolm said, they would do it by any means necessary. Jamaicans were extremely invested in the political process as it stood, but both political parties sought the assistance of street gangs to really drive their campaigns home. The infamous Green Bay Massacre of 1978 was a crucial element of Better Mus Come, but the film was well-rounded with influences of Perry Henzell’s The Harder They Come, and the documentary Rockers. Throw in a little Romeo & Juliet action, and you have the makings of an amazing film.

Better Mus Come centres on the life of Ricky (Sheldon Shepherd), head of the JLP’s security, and also the don of the local JLP-supporting gang. Raising a young son on his own (his child’s mother was killed by PNP gangs), Ricky faces the struggle of doing dirty work in the immediate future in order to secure a better future for him and his son. Ambushing political rallies, shoot-outs at polling stations, and blatant murders of key figures in the community were all part of the game, and Ricky and his crew did what they needed to do to survive. Once he meets Kemala, a “country girl” who is a PNP supporter, things are turned upside down in more ways than one. Love, allegiance to family, dedication to community, and fierce protection of political interests all come together in the tapestry of Ricky’s life and the lives of those around him.

So – what did I think of the film? I. Was. In. Awe. The cinematography, the musical score, the authenticity of the wardrobe, slang, and mannerisms, the talent of the actors (most of whom had never acted in a movie before) – it was all too much for me. Maybe I’m just a Jamaicaphile who loves anything to do with ‘Yard’, but I tried to put that bias aside while watching the film. Even doing so, it STILL came out on top for me. Storm Saulter has an innate mastery with the camera. The way he was able to combine image, light, and sound (or the lack thereof ) totally brought about the emotions that I think we, the viewers, were intended to feel. The raw and rugged acting style from the cast really brought out the history of the time – I could hear older viewers laughing at some of the ol’ time slang and commenting on some of the 70′s style fashions that they used to wear. At times, the film seemed so authentic that I felt I was watching a documentary of days gone by in the country of my parentage. I couldn’t help but feel pride when watching it – yes, much of the history depicted was despicable, but everything from the passion to defend one’s rights to the passion of the actors who portrayed these characters spoke to an undeniable Caribbean energy that I love. I think that feeling was amplified (for me, at least) by knowing that Bob Marley’s birthday was just around the corner, so it was a timely screening.

Credit: Photo by Sarita Louis, Ryan Singh Enterprises Better Mus Come Gala Brunch and Screening, Hosted by Caribbean Tales Youth Film Festival. Storm Saulter, Writer, Director Sheldon Shepherd, Actor. www.no-maddz.com

After the film, we had a great Q&A session with Storm and Sheldon (who played Ricky). Let me tell you…I had a mini-crush on Sheldon, and I’m not scared to admit it. Charisma was on TEN, and both men had the audience fascinated with the discussion. Sheldon even buss out a quick spoken-word poem that he performed for his audition…and I’ll just say this: keep an eye out for Sheldon Shepherd. Remember you heard it from Bee first! Keep an eye out for Storm Saulter as well – this film is CLEARLY the beginning of something huge, not only for him, but for the Caribbean film industry as a whole. We’ve come a long way from Dancehall Queen, y’all. Storm Saulter is paving the way for a new breed of Caribbean storytellers, and I’m excited to see what’s next!

Here is the Better Mus Come trailer:

YouTube Preview Image

Special thanks to Ryan Singh Enterprises.

Did you see Better Mus Come? If so, what did you think? What’s your favourite Caribbean (or other international) film? Keep up to date with TIFF’s schedule for the month of February – Cameron Bailey, co-director of TIFF, mentioned that they’ll have some big things on tap for Black History Month! Make sure to check them out!

Short Film Alert: The Strange Thing About The Johnsons – Updated w/ New Link!

Photo via http://strangethingaboutthejohnsonsmovie.com/

Yesterday as I travelled home from work, I saw nearly everyone on my Twitter timeline talking about a film. My interest was piqued, because the tweets were a mixture of shock, disgust, and praise for the film and its actors. As soon as I got home, I fired up the computer and began watching The Strange Thing About The Johnsons.

What’s the film about? As per the website’s film synopsis:

“The Johnsons are an attractive, well-to-do, upper middle class family. Sidney, husband and father, is a famous poet, known and adored for his kindness and sensitivity. Joan, wife and mother, is a dutiful housewife, an obsessive homemaker, and the life of every party. Their son, Isaiah, is a charismatic young man who has just gotten married to an equally appealing young woman. In fact, there is only one thing that separates the Johnsons from their charming friends and neighbors: Isaiah, the son, has been molesting Sidney, the father, since he was fifteen years old. And what’s more, Sidney has written a memoir that chronicles, in great detail, the ins-and-outs of this unseemly father-son relationship. Will the manuscript ever see the light of day, or will young Isaiah have a thing or two to say about it? THE STRANGE THING ABOUT THE JOHNSONS is a dark satire of the domestic melodrama, which asks “What if…?” and then, or some reason, comes up with an answer.”

Thank me for putting that synopsis up before you watch the film – I pressed PLAY and went in, completely blind as to what the film was about.

After watching the film, one thing I could not believe (due to the amazing cinematography and direction of the film) was that this film is not a professional feat at all. This was a recent thesis assignment for the AFI (American Film Institute)! The director/screenwriter, Ari Aster, has a great future ahead of him if this is the work he is producing while studying at the AFI.

Now. The film. I’m not fully going to review it here. I will give the link to the video at the bottom of this post, and then we can discuss in the comments section. However, I will tell you how I felt while I watched it.

While there is no nudity, explicit sexuality, or gratuitous violence shown, this film is definitely not for the kids. That’s the genius of the film – you are not force-fed the gory details, but you are given just enough so that your own mind can run wild and fill in the rest. The acting was incredible, especially by Billy Mayo, the actor who played Sidney. I’m not sure where he drew his inspiration to play a man who goes from kind and happy to withdrawn, distant, and full of fear – but he was amazing. I felt shock, disbelief, and confusion – does this type of  reverse Oedipal complex really exist? How did this begin for Isaiah and Sidney? At some points, I felt I didn’t even have the words needed to formulate the questions in my mind.

The film is not without its controversies and criticisms. I’ve seen a number of people feel enraged that Aster used an African-American family to tell this story, even going so far as to call Aster “racist” for “using us”. To this I say, SHUT UP. You’re damned if you do, and you’re damned if you don’t. Stories of abuse are prevalent across all races – Blacks are not exempt, no matter how far-fetched one considers the topic. Also, we complain about seeing the same Black actors all the time – here we have a group of relative unknowns, who will hopefully go on to even more great work after this film. Call me naïve, but a racist thought never crossed my mind while watching this. I was too caught up in the richness of the actors’ skills, the amazing cinematography and the suspense of wondering what would happen next.

Also, some people took offense to Aster calling this a “dark comedy” in a recent interview:

YouTube Preview Image

I personally couldn’t find the “comedy” in this film, so I’m not sure where he was drawing that from. The film seems to have been inspired from an almost ridiculous request to come up with the most unconscionable film topic possible – maybe some people laughed at Aster’s choice thinking it’s TOO ridiculous, but the film itself has not a lick of comedy in it. Very serious, very full given the 29 minute length, and will very much stay with you after you’ve watched it.

Here is the link to The Strange Thing About The Johnsons: http://vimeo.com/27221118 ***NOTE: this link is now password protected. See this new link: http://vimeo.com/19546535 with password: alejo - thanks to Browntown80!***

Did you watch the film? How do you think it will do on the short-film circuit? Let me know your thoughts in the comments section…